Hey piers!
Let’s start adding some spicyness to our comparisons!
Here’s a wide picture of how a mono room miking can sound, also with a tasty harmonic distortion on top.
Enjoy!
Microphones recorded with FOCUSRITE Red1 Preamp [48Khz 24bit] (no EQ, no Comp…)
Perfermance: Riccardo Preda
on Sonor Ascent 24″, 13″, 16″, 18″, 14″x6,5″
and Ufip cymbals set.
Recorded at RecLab Studio (Milan).
Hi guys!
We’ve already experienced how deeply mic positioning affects the mic response . . . So we really needed to try it out on a cymbal, too.
No doubt you’ll be surprised, once again, by the huge differences.
Check it out!
Microphones recorded with FOCUSRITE Red1 Preamp [48Khz 24bit] (no EQ, no Comp…)
Perfermance: Riccardo Preda
on Sonor Ascent 24″, 13″, 16″, 18″, 14″x6,5″
and Ufip cymbals set.
Recorded at RecLab Studio (Milan).
Hey piers!
We are back with a new, amazing close up on cymbal miking: we chose hi hat to compare the microphones response with a mono, closer miking than the overhead one.
As you might already know, we love to try out a very wide variety of microphones, so check it out !
Microphones recorded with FOCUSRITE Red1 Preamp [48Khz 24bit] (no EQ, no Comp…)
Perfermance: Riccardo Preda
on Sonor Ascent 24″, 13″, 16″, 18″, 14″x6,5″
and Ufip cymbals set.
Recorded at RecLab Studio (Milan).
Hello Piers!
We are back!
We reserved a whole (yet shorter) season to the microphones that mostly affect the overall color of the drumkit; with a new amazing guest, here we go, starting with the overheads.
Enjoy!
Microphones recorded with FOCUSRITE Red1 Preamp [48Khz 24bit] (no EQ, no Comp…)
Perfermance: Riccardo Preda
on Sonor Ascent 24″, 13″, 16″, 18″, 14″x6,5″
and Ufip cymbals set.
Recorded at RecLab Studio (Milan).
Hello guys!
We’re very pleased to let you know that we are currently working on season two !
We’re going to complete the drum recording part, analyzing the sections of this wonderful instrument we haven’t explored yet.
The shooting is almost done, we’re looking forward to let you know more very soon.
Please keep in touch, and don’t forget to review the old episodes!
Cherry Pie loves you !
This is the end of the first season.
While second season is on its way, we give you this little, useful trick for drum gating.
This kinda moves away from our first episodes contents: cause yes, that’s right. So much more is yet to come.
Triggers by SHINER
Perfermance: Federico Paulovich playing Sonor Ascent Drums.
Recorded at RecLab Studio (Milan).
This is the first of our bonus episodes, a pure audio delicacy.
We’re trying to unfold the secrets of well known, ns10-based, Yamaha subkick, compared to a self made one.
Microphones recorded with FOCUSRITE Red1 Preamp [48Khz 24bit] (no EQ, no Comp…)
Perfermance: Federico Paulovich playing Sonor Ascent 22″.
Recorded at RecLab Studio (Milan).
Hello piers!
our first series is about to end, but you don’t have to worry: we’re about to dig deeper into drum miking secrets !Our special guest is an incredible, young drummer on the rise.
We strongly suggest you start get in touch with his incredible time overturning skills in advance!
Stay tuned for the next episodes!
So you’ve chosen your dream mic, now what?
We’re all aware mic positioning affects response as much as mics selection, but how?
This tasty video keeps driving you through this jungle of options!
Microphones recorded with FOCUSRITE Red1 Preamp [48Khz 24bit] (no EQ, no Comp…)
Perfermance: Federico Paulovich playing Sonor Ascent 22″.
Recorded at RecLab Studio (Milan).
Sponsored by Quiztones frequency ear training apps from Audiofile Engineering: http://aeng.me/quiztones
dulcis in fundo, we couldn’t say it better.
Kick drum moves everything, it’s what you base your mix on,
so you wanna have it right, don’t you?
Perfermance: Federico Paulovich playing a Sonor Ascent 22″
Recorded at RecLab Studio (Milan).
Sponsored by Quiztones frequency ear training apps from Audiofile Engineering: http://aeng.me/quiztones
Cherry Pie Audio 